The Life of Charles
Dickens

(1812-1870)
Charles
Dickens was an English author who achieved the status of celebrity during
his lifetime, and even today is considered the greatest of the Victorian
writers. Inherent in all of his work is a dark nostalgia that seemingly
glazes over the text in a mystical haze, while also sharpening scenes and
characters through the fog. It is this layer of memories carefully
juxtaposed over all of his work that makes the emotional power of Dickens'
novels so strong. Out of this mist, his most famous characters arise,
including the aspiring writer David Copperfield, the greedy and grumpy
Ebenezer Scrooge, the tragic Little Nell, and the twisted Miss Havisham.
Charles
Dickens was born Landport, Hampshire, in 1812. His father was a clerk of
the British Navy's pay office by the name of John Dickens, who despite
being well paid; often found himself and his family in serious financial
troubles. After spending his early years in a school in Chatham, where he
was applied special attention from the schoolmaster, Dickens was forced
into a bleak reality. His father had wound up in the Marshalea debtor's
prison and would not be released until he paid the owed sum of 40 pounds.
Not having this money on hand, John Dickens was forced to stay in the
prison until he could afford to pay the debt. In order to keep the family
afloat financially, John had his son Charles leave the school environment
and work in a blacking factory. It was here that Dickens learned of the
poor treatment received by the low class in their work place, and grew to
loathe child labor. Of this period, Dickens refused to comment to anyone
except a close friend by the name of John Forster, who later wrote
Dickens' biography.
After
the death of his mother, John Dickens was finally able to pay off his
debt, and he immediately had his son quit his job at the factory. Dickens'
mother Elizabeth insisted that the young Dickens continue working in the
factory, but John Dickens disagreed with her. The two fought bitterly for
awhile, and Dickens was never to forget his mother wanting to place him
back into that wretched factory. Dickens once again enrolled at school,
this time at the Wellington House Academy in London. He spent three years
at the school before leaving to attend Mr. Dawson's school in 1827. That
same year, Charles was to a law office clerk. It was from these years
spent serving in a law office that Dickens derived most of his hatred for
lawyers. In 1928, he left his job at the law office and became a
stenographer for a London paper. Dickens was so good at what he did that
he eventually received an offer to publish a book of sketches. In 1836,
SKETCHES BY BOZ was published under the pseudonym of Boz. The collection
sold remarkably well for a book of its type. During these years as a
shorthand performer, Dickens' reputation grew as a writer, while his
opinion of lawmakers diminished. The witness to many an injustice, Dickens
was to forever remember how badly the low class was treated by their
employers, the government, and the bourgeoisie of Britain.
In 1929,
Dickens met Maria Beadnell, the daughter of a wealthy and respectable
banker. The two maintained a relationship until 1933, but it is generally
thought that Maria was merely playing Dickens for a fool while she
remained available should a wealthy socialite come along to sweep her of
her feet. When the relationship ended, Dickens fell into a depressed
stupor. His despair, however, was to be to the joy of his readers,
however, for the young writer soon became very serious in his writing.
These early years were to be some of Dickens' most productive, and as his
reputation grew with readers, he began to socialize more often in the
literary circles of London. He was soon courting a young woman named
Catherine Hogarth through her father, George Hogarth, an editor. They
married in 1936, the same year that Dickens was approached to work on a
project now known as THE PICKWICK PAPERS. Over that year and the next,
Dickens was to work on this novel and publish it in serials that cost a
shilling a piece. The venture proved to be very successful economically,
with over 40,000 of the installments selling each month they were
published.
The same
year as THE PICKWICK PAPERS and his union with Catherine began, Dickens'
wife's sister was to move in. Mary Hogarth was a beautiful
sixteen-year-old who captivated Dickens, but was to die of an illness in
1937. Dickens was deeply saddened by the death of Mary, and in his
depressed state, he was to become more productive than ever. Before THE
PICKWICK PAPERS was finished, Dickens began work on two other novels, THE
ADVENTURES OF OLIVER TWIST and THE LIFE AND ADVENTURES OF NICHOLAS
NICKLEBY. From 1837 to 1839, monthly installments of both novels were
published and eagerly bought by both the poor and rich alike. At the cheap
price of one shilling, anyone could afford to read Dickens' work, and
almost everyone was reading Dickens. His works were the Victorian
equivalent of today's soap operas; with readers discussing amongst each
other what twists and turns the stories would take in next month's
installment. Dickens success, however, was not to remain consistent, for
after the publication of THE OLD CURIOUSITY SHOP (1841), Dickens was to
begin THE LIFE AND ADVENTURES OF MARTIN CHUZZLEWIT. The novel was a very
harsh criticism of America thinly veiled with a story, and did not sell
well.
In order
to make some money, Dickens began wrote a novel about a money-grubbing
miser by the name of Ebenezer Scrooge. A CHRISTMAS CAROL was published in
1843 to a moderate reception. The book did not sell as well as Dickens had
hoped it would, partially because of him. He had wanted illustrations and
fancy binding, and in turn the book had become so expensive to make that
it could only be afforded by the rich. Nevertheless, the novel was to
become a fixture of the Christmas holiday, along with Christmas cards,
which were invented the same year as Dickens published A CHRISTMAS CAROL.
After finishing THE LIFE AND ADVENTURES OF MARTIN CHUZZLEWIT in 1844,
Dickens worked on a number of literary projects, but none were to attain
the same popularity as his early work until the serialization of DOMBEY
AND SON in 1848. The work proved to be very successful with readers, and
Dickens soon had achieved economic stability.
With his
money troubles gone, Dickens received freedom for creativity in his works,
and began work on the powerhouse novel DAVID COPPERFIELD. The work would
be published from 1849 and 1850, and not only sold well with readers, but
also solidified Dickens' reputation as a writer of worth. The work
detailed the life of David Copperfield, a young man who aspires to write,
but must work for a living before he can accomplish his dreams. The novel
is Dickens' most autobiographical, and writing it was a very emotional
experience for the aging novelist, as it reopened old wounds. Along with
the memories that were recalled during the writing of DAVID COPPERFIELD
was a letter from Maria Beadnell, who expressed her devotion still for
Dickens. The author became excited with rekindling a relationship with the
woman, and invited her to his home. To his surprise and disappointment,
however, Maria had become overweight, moronic, and ridiculous in Dickens'
eyes. He was later to mock her in his novel LITTLE DORRITT (1855-1857)
with the character of Flora Finnich.
Dickens
moved to Gadshill Place, a dwelling he had had his sights set on since his
father had pointed out the place to the author as a child, with his wife
before the publication of DAVID COPPERFIELD, and their marriage did not
survive the novel's completion. Catherine had grown overweight after
birthing Dickens' a number of children, and Dickens had come to loathe the
woman. His wife was not enjoying his company anymore and he was no longer
enjoying hers, so the two separated in 1858. Dickens encouraged his
children not to see their mother in spite of the woman, and they were only
able to visit her again after the author passed away twelve years later.
In this action can be seen the bitterness and desolation inherent in
Dickens during his last years. His attitude has been marked as having
grown worse after the publication of DAVID COPPERFIELD, as if reliving his
many past experiences had squelched the fire within the writer's soul.
Of
interest to the reader is the fact that DAVID COPPERFIELD also marked a
division in Dickens' work. Whereas his early work had been characterized
by hard workers who were rewarded for their determination in the end,
endings became much more unhappy following 1849. With the worry of falling
into obscurity always behind the author, Dickens continued writing with a
death veil hanging ominously over his life and works. With works with
names like BLEAK HOUSE (1853) and HARD TIMES (1854), it is easy to see
that Dickens was submerged in depression for much of the early 1850s. One
of Dickens' greatest masterpieces was not far behind, however, and in
1859, A TALE OF TWO CITIES, a historical work set in the French Revolution
focusing on two men with similar appearances who fall in love with the
same woman, was published.
The
following year, Dickens began writing GREAT EXPECTATIONS, one of his most
popular works. The novel appeared in monthly installments that sold
incredibly well, with readers so wanting to know what would happen to Pip
that they literally stormed the boats carrying the monthly chapters in
their hold. The work became popular around the world, with the literary
phenomenon reaching even Russia, where authors Fyodor Dostoevsky and Leo
Tolstoy fell in love with the novel. After the completion of GREAT
EXPECTATIONS in 1861, Dickens grew tired of writing, beginning to see it
as laborious and tiring. Instead of work, Dickens began to tour across
Britain giving readings of his old classics. The tour proved so popular
that it was soon continued in America. The author soon became ill in his
old age, though, and could not continue the tour after collapsing in 1869.
His last public reading was held in City hall, Glasgow, with audience
members watching the feeble and dying novelist slowly walk on stage after
pausing for a food break consisting of beaten eggs and champagne. Once he
took his seat and began reading, however, the old man captivated his
audience by reading his old novels with a great energy. His performance
proved memorable with many audience members.
Dickens
began work on a mystery novel after his retiring of the tour. THE MYSTERY
OF EDWIN DROOL (1870) was planned to consist of twelve monthly
installments, but halfway through, Charles Dickens died of a stroke on
June 8, 1970. He was buried in the Poet's Corner of Westminster Abbey,
London, joining such literary greats as Geoffrey Chaucer, Thomas Hardy,
and Rudyard Kipling in their final rest.
The Works of
Charles Dickens